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87-100 Toruń, Poland
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about me


I deal with various visual arts such as textural painting (close to low relief) and assemblage. In the process of creation I use various materials (wood, plaster, recyclable materials), various media and objects. Every time I absorb myself to connect different techniques, to experiment with the consistency of paint, I am inspired by the substance and uniqueness of material, which is at disposal at the moment of creation. For me the process of creating is the search area and some kind of dialogue with the matter.

In my interest area there’s also graphic printing. My favourite techniques are: drypoint, monotyping and collography.

Furthermore, I am interested in spaces of permeating visual arts and literature. Written text is autonomic, but it has its graphic form as well, is able to manage as a fabric, rhythmical order which has an impact, but does not refer to the meaning. An engaging aspect is also the way in which visuality affects the text meaning.

In the scope of visual arts I am basically self-taught. I graduated from Polish Philology at Nicolaus Copernicus University in Toruń with specialization in theatrology, I fathomed literary studies at the same faculty.

Information about me can be found on the page of Toruń Culture Creators.


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Artistic and cultural projects, workshops:


2014:

  • November 28–December 12 – graphics exhibition “Anna's Gardens” gallery & cafe Wejściówka (Toruń);

2013:

  • November 2013 – graphics exhibition “The Absent Toruń” within the project “City-Sound-Image” (graphics – Anna Pilewicz, Ewa Bińczyk, music – Rafał Iwański), cafe-club Kawalerka (Toruń);

  • July 3, 2013 – AQUALUNA – the movie screening (video: Anna Pilewicz, music: Rafał Iwański, 13th International Artistic Meetings Experyment (Zbąszyń);

  • July 3–7, 2013- “Klitoridektomia” (“Clitoridectomy”) (video-poetry, poems, graphics – Anna Pilewicz, music: Magdalena Głocka, 13th International Artistic Meetings Experyment (Zbąszyń);

  • April 12, 2013 – AQUALUNA – the movie screening within the Audiowizje Festival (CSW-Toruń);

  • January 21, 2012 – AQUALUNA – the movie screening (TVP Kultura, Programme: VIDEOGALERIE);


2012:

  • December 22, 2012 – AQUALUNA – the movie screening and video-art workshops (with Rafał Iwański), Ajanta (Toruń);

  • December 21, 2012 AQUALUNA – the movie screening within the event KONIEC ŚWIATA (THE END OF THE WORLD): Concert in the Planetarium – Grudziądz (Rafał Iwański – live concert);

  • December 1, 2012 – AQUALUNA – the movie screening (Rafał Iwański – live concert) within the 3rd TRANS/WIZJE Festival, CSW Laboratorium (Warsaw);

  • April–May 2012 – “Klitoridektomia” “Clitoridectomy” (video-poetry, poems, graphics) with Magdalena Głocka (music) Wozownia Art Gallery (Toruń);

  • February 3, 2012 – participation in 13th Free Poetry Market (video-poetry and poems), Dwór Artusa (Toruń);


2011:

  • March 2011 – February 2012 – theatre and painting workshop for children and teenagers – Les Artes Foundation (Toruń);

  • August 13, 2011 – AQUALUNA audiovisual project (with Rafał Iwański – sound) within the 3rd International Festival of Light Skyway (Toruń), place: Brama Mostowa;

  • June 30, 2011 – participation in the poetry evening “Głosy przeciwko barbarzyństwu” (“Voices against barbarousness”) – Dom Muz (Toruń);

  • March 2011 – participation in film shooting: “Stan Oblężenia” (“Martial law”) by Xavier Bayle (music: Rafał Iwański);

  • March 2011 – video-poetry presentation within the interdisciplinary project “Why 8, not 7?” (drawing – Ewa Bińczyk, music – Magdalena, painting – Monika Mausolf) Les Artes Foundation (Toruń);

  • February 2011 “Water” a video presentation during the audiovisual performance “Elements” – The Les Artes Foundation in Toruń (with Xavier Bayle, Rafał Iwański and Jacek Zieliński);


2009:

  • July 2009 – “Substantia” audiovisual project within the 9th Edition of International Artistic Meetings – Experyment 2009 in Zbąszyń – with Jeff Gburek, Rafał Iwański (music);


2008:

  • June 2008 – “Baśnie stu i jednej kamienicy. Tajemnice Podmurnej ulicy” (“Stories of one hundred and one tenement. Mysteries of Podmurna street”) – workshops for children and teenagers within the Feast of Podmurna street (with Anna Makowska), Art Gallery Bursztynowe Drzewo (Toruń);


2007:

  • September 2007 – “Drzewogłowy” (“TreeHeads”) – painting and emballage exhibition (with concert of the group HATI), Art Gallery Bursztynowe Drzewo (Toruń);


Selected publications and records:


  • AQUALUNA – Alchemical Transformation through Vision and Sound – video: A. Pilewicz, muzyka: R. Iwański, DVD+CD, Zoharum Records, Eter Records 2013.

  • Clitoridectomy, Toruń 2012 – poetry.

  • Between Genesis and Apokalypsis. About Theatrical Motifs in “Salomea's Silver Dream”; by Juliusz Słowacki [in:] Apocalypse. Symbols – Tradition – Exegesis, eds. K. Korotkich & J. Ławski, vol. 2, Białystok 2007.

  • The Telluric Goddesses in Juliusz Słowacki's Premystical Period. Furies-Eumenides in “Beatrice Cenci” by Juliusz Słowacki, “Acta Universitatis Nicolai Copernici”, no 382, Toruń 2006.

  • Salomea's Silver Dream – the History of Persephone [in:] Romantic Antiquity: a European Model and a Polish Variant: Reconnaissance, eds. M. Kalinowska & Bogna Paprocka-Podlasiak, Toruń 2003.

  • The Death – Actress and her Theater in “Salomea's Silver Dream”; by Juliusz Słowacki [in:] Gothic and Horror in Culture, eds. G. Gazda, A. Izdebska & J. Płuciennik, Łódź 2003.

  • “I Play Now”. About “Endgame” by Samuel Beckett (Wilam Horzyca Theatre in Toruń), “Artistic and Literary Review”, no 3–4, Toruń 2002.

  • Diorama contra Computer [in:] “The Voice of the University”, special number – Festival of Science and Art in Toruń; (with A. Kowalczyk-Pryczkowska).


About the “Klitoridektomia” (“Clitoridectomy”) exhibition

The exhibition was displayed from April to March, 2012 in Galeria Sztuki Wozownia (“Wozownia Art Gallery”). This interdisciplinary project contained graphics, printed poetry and video-poetry (with Magdalena Głocka’s music). The article is available here on the page of CSW in Toruń.



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